In a good mood, Kent Nagano sits in his office at the opera house and lets his gaze wander over the rooftops of Hamburg. Does he have a wish on his 70th birthday? “I think I already have the best birthday present because I’m doing two Electra rehearsals on my birthday. I would, and it’s already here now.” Two exercises on his own day that suits him. Because it’s at home in the music.
A California citizen of Japanese descent is a global citizen. He has served as president in Lyon, Manchester, Los Angeles, Berlin, Munich and others. His home is music. In his book “10 Lessons From My Life – What Really Matters” he wrote that he thinks “of every note in the score, about every aspect, always from different perspectives.” Sounds like a perfectionist.
Team spirit is especially important to Kent Nagano
The conductor says, “You can be really obsessed, and that’s not good for art. On the other hand, every artist I know and I respect – we’re all perfect in trying to get a perfect vision. So perfect that we already know it’s impossible. So yeah, at least That’s what my wife says, I’m a perfectionist.”
Kent Nagano is admired for his clear and well-thought-out reading of the scores, and appreciated for his calm and balanced style. In his role as general manager of music in Hamburg, the idea of the team takes on special significance: “We all try to be honest in this house really candid, and we try to get the priorities right. That priority to quality is very clear.”
Humility is the hardest lesson
Kent Nagano shaped Hamburg’s musical life for six years, spanning extensively from Hector Berlioz’s “Les Troins” to commissioned tracks by Toshio Hosokawa and Jörg Weidmann. Kent Nagano is full of energy and vision, full of ideas for new projects. He retained his curiosity and still considers himself an educated person.
One of the most difficult lessons is: “Humility. Without humility you will not make progress as an artist. If not, we are pessimists, that is, we know everything, we know everything. And when the point comes, we are no longer artists.”
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